• 𝒲𝑒𝓁𝒸𝑜𝓂𝑒 𝓉𝑜 𝓂𝓎 𝓌𝑒𝒷𝓈𝒾𝓉𝑒! 𝒲𝑜𝓌 𝓁𝑜𝑜𝓀 𝒶𝓉 𝓉𝒽𝒾𝓈 𝓉𝑒𝓍𝓉 𝒶𝓁𝓁 𝓉𝒽𝑒 𝓌𝒶𝓎 𝑜𝓃 𝓉𝒽𝑒 𝓉𝑜𝓅 𝑜𝒻 𝓉𝒽𝑒 𝓅𝒶𝑔𝑒, 𝓌𝒽𝒶𝓉'𝓈 𝒾𝓉 𝒹𝑜𝒾𝓃𝑔 𝒽𝑒𝓇𝑒? 𝐼 𝒷𝑒𝓉 𝓉𝒽𝒶𝓉'𝓈 𝓌𝒽𝒶𝓉 𝓎𝑜𝓊'𝓇𝑒 𝓌𝑜𝓃𝒹𝑒𝓇𝒾𝓃𝑔. 𝐼𝒻 𝓎𝑜𝓊'𝓇𝑒 𝓃𝑜𝓉 𝓌𝑜𝓃𝒹𝑒𝓇𝒾𝓃𝑔 𝓉𝒽𝒶𝓉 𝓉𝒽𝑒𝓃 𝓂𝒶𝓎𝒷𝑒 𝓎𝑜𝓊'𝓇𝑒 𝓌𝑜𝓃𝒹𝑒𝓇𝒾𝓃𝑔 𝓌𝒽𝒶𝓉 𝓎𝑜𝓊 𝒶𝓇𝑒 𝑔𝑜𝒾𝓃𝑔 𝓉𝑜 𝒽𝒶𝓋𝑒 𝒻𝑜𝓇 𝓁𝓊𝓃𝒸𝒽; 𝐼 𝑜𝒻𝓉𝑒𝓃 𝓌𝑜𝓃𝒹𝑒𝓇 𝒶𝒷𝑜𝓊𝓉 𝓉𝒽𝒶𝓉. 𝒜𝓃𝓎𝒽𝑜𝓌, 𝒾𝒻 𝓎𝑜𝓊'𝓇𝑒 𝓈𝓉𝒾𝓁𝓁 𝓇𝑒𝒶𝒹𝒾𝓃𝑔 𝓉𝒽𝒾𝓈 𝓉𝑒𝓍𝓉 𝓈𝒸𝓇𝑜𝓁𝓁, 𝓁𝑒𝓉 𝓂𝑒 𝒿𝓊𝓈𝓉 𝓈𝒶𝓎 𝓉𝒽𝒶𝓉 𝒾𝓉'𝓈 𝒶 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒 𝓉𝑜 𝒽𝒶𝓋𝑒 𝓎𝑜𝓊 𝒸𝑜𝓂𝑒 𝒶𝓃𝒹 𝓋𝒾𝓈𝒾𝓉 𝓂𝓎 𝓌𝑒𝒷𝓅𝒶𝑔𝑒 𝒶𝓃𝒹 𝐼 𝓇𝑒𝒶𝓁𝓁𝓎 𝒽𝑜𝓅𝑒 𝓎𝑜𝓊 𝒻𝑜𝓁𝓁𝑜𝓌 𝒶𝓁𝑜𝓃𝑔 𝒶𝓃𝒹 𝓂𝒶𝓎𝒷𝑒 𝑒𝓋𝑒𝓃 𝒷𝑜𝑜𝓀𝓂𝒶𝓇𝓀 𝒾𝓉 𝓈𝑜 𝓎𝑜𝓊 𝒸𝒶𝓃 𝓋𝒾𝓈𝒾𝓉 𝒾𝓉 𝓌𝒾𝓉𝒽 𝑒𝒶𝓈𝑒 𝒾𝓃𝓈𝒾𝒹𝑒 𝓎𝑜𝓊𝓇 𝓌𝑒𝒷 𝒷𝓇𝑜𝓌𝓈𝑒𝓇 𝑜𝒻 𝒸𝒽𝑜𝒾𝒸𝑒. 𝐼 𝒶𝓂 𝒶𝓁𝓈𝑜 𝒻𝒶𝒾𝓇𝓁𝓎 𝒶𝒸𝓉𝒾𝓋𝑒 𝑜𝓃 𝒶 𝒽𝑜𝓈𝓉 𝑜𝒻 𝓈𝑜𝒸𝒾𝒶𝓁 𝓂𝑒𝒹𝒾𝒶 𝓅𝓁𝒶𝓉𝒻𝑜𝓇𝓂𝓈 𝓈𝑜 𝓎𝑜𝓊 𝒸𝒶𝓃 𝒻𝒾𝓃𝒹 𝓂𝑒 𝑜𝓃 𝓉𝒽𝑜𝓈𝑒, 𝒶𝓃𝒹 𝓁𝒾𝓀𝑒, 𝒻𝑜𝓁𝓁𝑜𝓌, 𝓈𝓊𝒷𝓈𝒸𝓇𝒾𝒷𝑒 𝒶𝓃𝒹 𝑔𝑒𝓃𝑒𝓇𝒶𝓁𝓁𝓎 𝒿𝓊𝓈𝓉 𝒽𝒶𝓋𝑒 𝒶 𝓁𝑜𝓉 𝑜𝒻 𝒻𝓊𝓃 𝓇𝑒𝒶𝒹𝒾𝓃𝑔 𝒶𝓃𝒹, 𝒾𝒻 𝒾𝓉 𝓈𝓉𝓇𝒾𝓀𝑒𝓈 𝓎𝑜𝓊𝓇 𝒻𝒶𝓃𝒸𝓎, *𝓈𝒽𝒶𝓇𝒾𝓃𝑔* (𝓌𝒾𝓃𝓀-𝓌𝒾𝓃𝓀) 𝓂𝓎 𝓅𝑜𝓈𝓉𝓈. 𝒪𝒽, 𝒶𝓁𝓈𝑜, 𝐼 𝒻𝑜𝓇𝑔𝑜𝓉 𝓉𝑜 𝓂𝑒𝓃𝓉𝒾𝑜𝓃 𝓉𝒽𝒶𝓉 𝓂𝓎 𝓃𝒶𝓂𝑒'𝓈 𝒥𝑒𝒻𝒻 𝒶𝓃𝒹 𝐼 𝓁𝒾𝓋𝑒 𝒾𝓃 𝒫𝒽𝒾𝓁𝒶𝒹𝑒𝓁𝓅𝒽𝒾𝒶 𝓃𝑜𝓌. 𝑀𝒶𝓎𝒷𝑒 𝐼'𝓁𝓁 𝓁𝒾𝓋𝑒 𝒾𝓃 𝒶 𝒹𝒾𝒻𝒻𝑒𝓇𝑒𝓃𝓉 𝓅𝒶𝓇𝓉 𝑜𝒻 𝓉𝒽𝑒 𝓌𝑜𝓇𝓁𝒹 𝒾𝓃 𝓉𝒽𝑒 𝒻𝓊𝓉𝓊𝓇𝑒, 𝒷𝓊𝓉 𝓉𝒽𝒶𝓉'𝓈 𝓌𝒽𝑒𝓇𝑒 𝐼 𝓁𝒾𝓋𝑒 𝒻𝑜𝓇 𝓃𝑜𝓌. 𝒪𝒦, 𝐼 𝒻𝑒𝑒𝓁 𝓁𝒾𝓀𝑒 𝐼'𝓋𝑒 𝓉𝒶𝓀𝑒𝓃 𝓊𝓅 𝑒𝓃𝑜𝓊𝑔𝒽 𝑜𝒻 𝓎𝑜𝓊 𝓉𝒾𝓂𝑒 𝒽𝑒𝓇𝑒 𝑜𝓃 𝓉𝒽𝑒 𝓂𝒶𝓇𝓆𝓊𝑒𝑒𝑒... 𝒮𝑜 𝑔𝑒𝓉 𝓉𝑜 𝒸𝓁𝒾𝒸𝓀𝒾𝓃' 𝒶𝓃𝒹 𝓈𝒸𝓇𝑜𝓁𝓁𝒾𝓃'! 𝒞𝓁𝒾𝒸𝓀𝒾𝓃'... 𝒮𝒸𝓇𝑜𝓁𝓁𝒾𝓃'...𝒶𝒽, 𝒿𝓊𝓈𝓉 𝓉𝒽𝑒 𝒷𝑒𝓈𝓉 𝓈𝓉𝓊𝒻𝒻 𝑜𝓃 𝓉𝒽𝑒 𝑒𝒶𝓇𝓉𝒽 𝒾𝓂𝑜. 𝒜 𝑔𝑜𝑜𝒹 𝓅𝓁𝒶𝒸𝑒 𝓉𝑜 𝓈𝓉𝒶𝓇𝓉 𝓂𝒾𝑔𝒽𝓉 𝒷𝑒 𝓉𝒽𝑒 𝒹𝓇𝑜𝓅-𝒹𝑜𝓌𝓃 𝓂𝑒𝓃𝓊 𝒹𝒾𝓇𝑒𝒸𝓉𝓁𝓎 𝒷𝑒𝓁𝑜𝓌, 𝓌𝒽𝒾𝒸𝒽 𝒾𝓈 𝓉𝒽𝑒 𝓂𝑜𝓈𝓉 𝒸𝑜𝓂𝓅𝓇𝑒𝒽𝑒𝓃𝓈𝒾𝓋𝑒 𝓁𝒾𝓈𝓉 𝑜𝒻 𝒶𝓁𝓁 𝓉𝒽𝑒 𝒹𝓊𝓂𝒷 𝓅𝓇𝑜𝒿𝑒𝒸𝓉𝓈 𝐼'𝓋𝑒 𝓂𝒶𝒹𝑒 𝒾𝓃 𝓉𝒽𝑒 𝒶𝓇𝓉𝓈. 𝐻𝒶𝓋𝑒 𝒶 𝑔𝑜𝑜𝒹 𝒹𝒶𝓎. 𝒢𝑜𝒷 𝒷𝓁𝑒𝓈𝓈. 💨🤢
   K E Y:  ✄= art ✎= lit ♪= music ✪= video;  = highly recommended content

Thursday, June 11, 2015


Hello, I would like to talk about Aerosmith's 13th studio album, Just Push Play, released in 2001, almost six months to the day before 9/11.

First things first: this is not a bad album. I'm not saying this to be ironic.

I'm also not saying it's a very good album. It's OK. It's the kind of 2000s album you would expect from an aging 70s classic rock institution. Joe Perry's thoughts aside, I feel this is a perfectly mediocre album on the whole, with an occasional above average spark ("Jaded" and the title track, for example).



This record sounds like bad, overproduced, late-period Stone Temple Pilots. Translation: it has a metallic sound which is actually aging pretty well. It sounds like music a robot in a yellow dress could/would get down to. I understand Joe Perry's complaints––the distance / removal of the band dynamic is evident––however, I'm not sure they create said vibe without it.


But the best thing about this album is its title though, which reveals a painfully oblivious culture gap between creator and audience. Aerosmith had already devoured the CD Age with their mega-smash, Get a Grip (1993). Naming a 2001 release 'in honor' of the compact disc medium is downright hilarious. Kids, you don't need to manually put the needle down to get this party started!

Thinking about this in March of 2001, I recall feeling bad for the old fogies that were Aerosmith. But thinking back on it 2015, it sort of lends a humanizing element. To quote the record's second single, power ballad "Fly Away From Here,"

gotta find a way
yeah I cant wait another day
ain't nothing gonna change
if we stay around here
gotta do what it takes
cause it's all in our hands
we all make mistakes
yeah but it's never too late to start again
take another breath and say another prayer

We're all just searching for the next thing, the next big idea. Aerosmith though that next big thing was the CD. Then 9/11 happened. #NeverForget.